Analysis Of The Book Watchmen By Dc Comics - 2090 Words

Colin Ellis Dr. Angel ENGL 2322.P01 21 March 2016 Watchmen Watchmen, by DC Comics, should be considered a literary work for its great use of realism and deconstruction, storytelling and subplots, and the focus on personal character development and their moral codes. Watchmen utilizes these aspects in a way that makes the reader change the way they think about their popular culture and what is valuable to them. These aspects help solidify the idea that Watchmen is the first in a new breed of comics, one in which they make the transition from fantasy to literature. It is a work that is recognized by many as a revolutionary comic series, and is even lauded as one of the best novels and most significant works of the 20th century. It has solidified its place as a cultural classic in America and it would be injudicious to not see Watchmen as a literary work. In order to see Watchmen as a literary work, one must understand what that is. A classic is a literary work our culture studies due to its ability to maintain being conventional, or popular, and relevant despite times changing. When people think of an American classic, people think of stories like Harper Lee’s To Kill a Mockingbird, F. Scott Fitzgerald’s The Great Gatsby, and John Steinbeck’s The Grapes of Wrath. In these novels, the authors utilize certain aspects of language, such as intense character development, subplots, and realism, and ties them together to create great, detailed storylines. This use of language andShow MoreRelatedThe Impact of the Internet on the Retail Industry6630 Words   |  27 PagesThe internet has significantly impacted the retail industry: A qualitative amp; quantitative analysis of Amazon online shopping amp; Wal-Mart retail stores    Table of Contents INTRODUCTION___________________________________________________________3-4 PORTER FIVE FORCES ANALYSIS__________________________________________4-5 AMAZON HISTORY________________________________________________________5-7 AMAZON SWOT ANALYSIS________________________________________________8-10 WAL-MART

Student Conduct Is A New World - 1351 Words

Professional development is a term that I’m going to have to get used to for the rest of my life and I’m slowly learning how important it really is. In general I believe we all have an idea of what we individually need to work on to grow in our areas but ACPA NASPA have made things clearer by laying every competency out in a rubric for student affairs practitioners. These competencies lay everything out so nicely and show how everything moves along, how we should be growing. Everyday I feel like I am growing and working on these competencies but my internship this semester has me focused on a few specific areas revolving around student conduct. Student conduct is a new world to me and it’s forced me to think differently, more critically. I’ve always viewed myself as someone who is aware of social justices and biases, someone who is aware of policies and someone who can handle conflict resolution but day one of my internship showed me otherwise. Social justice is justice in terms of the distribution of wealth, opportunities, and privileges within a society and I thought I had a pretty strong grasp on this but I was shown that I still had things I could learn. At a first glance I thought I would fall on the intermediate track for social justice and I would have moved to advanced which is described as â€Å"demonstrates a clear understanding and commitment to social justice through attitude and behavior†. Taking a step back and really taking a look at the rubric and aShow MoreRelatedCode Of Ethics And The Workplace1157 Words   |  5 Pagespeople shopping online, they need to follow instructions step by step. No matter in the reality or the internet, people need to observe rules. Rules help us to make right decisions when we get lost. They are everywhere that existing in all over the world and rules make the society better. 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The authors conduct a 50-items survey in Canada with 14,283 college students, which include the impact of online resource, teaching methods, study strategies, self-regulatory strategies and the use of ICT. Then they draw a conclusion that gender is a significant influence factor for motivation to use technologies in learning, and that online learning sometimes even has a better performance than face

Research Paper on Magical Realism free essay sample

Magical magic elements are a natural part In an otherwise mundane, realistic environment. (Far Is, Wendy and LOIS Parkinson Zamora, Introduction to Magical Realism: Theory, History, community, pp 5) Although It Is most commonly used as a literary form, magic realism also applies to film and the visual arts. Professor Matthew strecher defines magic realism as what happens when a highly detailed, reallstlc setting Is Invaded by something too strange o believe. Magical realism Is often the vehicle used to Introduce a non-western point of, and begs the question of which mode of reality Is considered correct In understanding the world (Arva). Magical realism expands Ideas on how we can understand the world and Its events. As Arva says, the genre rejects the notion of one mode ot truth, one reality, and leads to greater cultural expression. In magical realism the writer contronts reality and tries to unravel it, to discover what is mysterious in things, in lite, and in human acts. Its about the discovery ot the mysterious relationship between man and his circumstances. Most ot the events that occur in magical realism have no logical or psychological explanation, since it doesnt try to copy the surrounding reality or harm it but seizes the mystery that lives behind things. Magical realism is a blend of magical or fantastical elements with reality, Literary works that lend themselves to the magical realist form usually have the following characteristics: Have mythical characters with superficial characteristics. Fantastic attributes given to characters in such novels†levitation, flight, telepathy, and telekinesis†are among the means that magic realism adopts in order to encompass the often harsh political realities of the 20th century. Secondly, magical realists sometimes create spaces or vacuums to illustrate or demonstrate societal divides like ethnic or class divides. Others use hybrid multiple planes of reality that take place n Inharmonious arenas of such opposites as urban and rural, and Western and Indigenous Others however engage the reader in their story line and Involve them In the plot. Also common In magical realist genre Is deliberate withholding of Information and explanauons about the disconcerting fictitious world that creates suspense. T he narrator does not provide explanations about the accuracy or credlblllty of events described or views expressed by characters In the text. Further, the narrator Is Indifferent, a characterlstlc enhanced by this absence of explanation of fantastic events; the story proceeds with logical precision as If nothing extraordinary took place. Magical realists usually love layering mystery after ystery keeping their readers on edge as the complicated plot unfolds and twists. Another common charactenstlc ot magical realism Is a crltlclsm ot society and politics. The extent to which the characteristics above apply toa given magic realist text varies. It is however important to note that every text Is different and employs a expect from a magic realist text. Magical realism is often attributed to Latin American writers who made it popular as a literary form; however it is an international movement with a wide-ranging history and a significant influence among the iteratures of the world. In fact if you look closely at Greek mythology it holds the main aspects of magical realism. In the 1920s an exhibition of pictures titled Neue Sachlichkeit (New Objectivity or New Matter-of-Factness) was presented in Mannheim, Germany. Franz Roh coined magical realism in his article Magischer Realismus (Magic Realism), describing the works shown at the event (Gary Martin). The paintings in the exhibition were considered magic realism because they tried to capture the mystery of life behind surface reality. Latin Americans then adapted the erm in the early 1930s as an expression of the mixture of realist and magical views of life. Gabriel Garcia Marquez is arguably one of the most influential writers within the magical realist movement with a publication of One Hundred Years of Solitude (1967), his most critically acclaimed work, and Love in the Time of Cholera (1985). Isabel Allende is a popular Chilean magical realist with her first novel, House of Spirits (1982) that won Chiles Best Novel of the Year award. Carlos Fuentes is a Mexican magical realist. Hes popular throughout many Latin American countries for is novels like Where the Air is Clearer (1958) and his New York Times bestselling novel The Old Gringo (1985), a novel about the writer Ambrose Bierce. Toni Morrison is widely thought of as a magical realist author, with her novel Beloved (1987). T ©a Obrent with her first novel, The Tigers Wife (201 1), is one of the latest authors whose work has been placed under the heading magical realism. No matter the origin or roots, magic realism has become a more universal term with many writers works, past and present, being designated to this writing mode. Beloved by Toni Morrison is novel about a woman, who is an escaped slave, and her daughter being haunted by the ghost of the daughter she tried to save through death. In Beloved the reader experiences the blurring of what is real and what is supernatural. The reader automatically begins to assume that when the mysterious young woman shows up that she is Sethes baby brought from the beyond. Seathe and her daughter are the reality of the story while Beloved the ghost is the supernatural being that has come from the past to hunt them. In conclusion, it is important to note that an art form can end itself to various genres, it should therefore not be right to assume that the art forms cited above are strictly magical realism. Secondly, while magical realism is usually attributed to the 20th Century, it is still very much alive in various art forms. The features cited above that normally lead to the cauterization of an art form as leaning towards magical realism can still be seen in new art forms today as depicted in soap operas, cartoons, horrors, video games etc. The effort to attribute life to a supernatural force still holds an attraction to us today.

Youth Violence and Music Essay Example For Students

Youth Violence and Music Essay The prevailing opinion in the media is that listening to violent lyrics tends to lead to violence. This idea permeates nearly all media, news and entertainment. According to the conservative organization Empower America, the issue at heart is such music leading us on a slide toward decivilization (Bennet and Tucker, 1995). The idea being that by glorifying subjects like rape, murder, suicide and homophobia the fear of homosexuals and their lifestyle, these lyrics erode the judgement and thought capabilities of adolescents. In recent history, the popular solution to the problems of our society has been censorship the mandated editing or suppression of the music thought to be at fault. The Parents Music Resource Center PMRC, headed by Pamela Howar and including such big Washington names as Tipper Gore wife of Democratic Presidential Nominee Al Gore pushed for Motion Picture Association of America MPAA style ratings of music (Deflem, 1993). The PMRCs efforts resulted in the widely noticed Parental Advisory warnings. While the adults seem to agree, the youth, adolescents and artists alike, seem to take a different direction. The dominant point of view among younger audiences is that no one is responsible for teen violence but those who act out. But there is a second view. We are all equally guilty for the violent acts of youths (Manson, 1999). Such violent acts, while increasingly spoken about by news and entertainment media, the Centers for Disease Control report that violence in adolescents is down (Youth 2000). Given the perceived impact of violent lyrics, and the immense popularity and friction of this issue, it is surprising that little or no actual study has been done to back up any of these claims (Hogan et al, 1996). The ultimate goal of my research is to determine whether there is a real, causal connection between violent lyrical content in music and violent feelings in teens. However, given the monetary and temporal constraints, this ultimate goal will be broken into several steps. The first step, which is relevant to this class, will ask, Do teenagers habits affect their belief on this subject? The second will ask Do teenagers feel that lyrically violent music causes societal violence? This topic deals with two central things: Real world violence, and violence in music lyrics. Music lyrics, as a part of the vast media, are beholden to many of the same situations. However, if research on media violence such as violent video games, movies, and music lyrics is to be held credible, it must be done properly. There is, however some question as to whether the research is being done in a scientifically correct manner. David Gauntlett says that the effects model does research the wrong way round. Media effects research has quite consistently taken the wrong approach to the mass media, its audiences, and society in general (Gauntlett 1999). Video games players, for example, are often discussed as undiscriminating, brainless suckers by people who do not seem to have attempted to understand the meanings and the appeal of these games, and whose views are supported (if at all) by inadequate, contrived and predetermined research. Like the critics of TV and movie violence, they are guilty of looking at this perceived problem backwards by starting with the games and then trying to make links to actual crimes, rather than by starting with real criminals and seeing if they seem to have been centrally motivated or affected by video games (Gauntlett 1999). The backwards approach involves the mistake of looking at individuals, rather than society, in relation to the mass media. The narrowly individualistic approach of some psychologists leads them to argue that, because of their belief that particular individuals at certain times in specific circumstances may be negatively affected by one bit of media, the removal of such media from society would be a positive step. This approach is rather like arguing that the solution to the number of road traffic accidents in Britain would be to lock away one famously poor driver from Cornwall; that is, a blinkered approach which tackles a real problem from the wrong end, involves cosmetic rather than relevant changes, and fails to look in any way at the bigger picture (Gauntlett) 1999). So, Gauntlett says, .